Paris Fashion Week - Ready to Wear Spring/Summer 25

The Spring/Summer 2025 runways in Paris were a true celebration of reinvention, with designers honouring their house codes while reimagining them for a new era. 

One of the most lauded shows of the week was Tom Ford, who brought a modern edge to classic wardrobe staples like the trench. Dazzling pleather coats came sculpted with dramatic collars, while silky, understated dresses flowed in clean silhouettes and plunging necklines - a perfect blend of confidence and simplicity.

At Schiaparelli, Daniel Roseberry took a gentler turn from his usual surrealist theatrics, embracing what he called “extreme wearability.” The results were no less captivating: slinky, bias-cut sheer dresses in place of corsetry, and a recurring hole cut-out motif that added intrigue.

Hermès delivered the equestrian energy it’s famous for, but this time with a sporty twist. Nadege Vanhee’s vision featured rich leather separates in shades of caramel, khaki, red, and navy, with gilets and harness-inspired details that brought an understated toughness to luxury.

The Valentino runway turned up the volume on 80s drama. Think pops of dusty blue and chartreuse, exaggerated pussy bows, voluminous sleeves, pencil skirts, and an unapologetic amount of sequins. It was gorgeous glamour, elegant, but never shy.

Over at Chloé, spring itself seemed to step onto the runway. The collection bloomed with floral prints and feminine silhouettes, flowing drapes, and sculptural pleats, all balanced by cocoon-like coats that added a touch of architectural contrast.

For Alexander McQueen, the mood was darker and deliciously theatrical. Drawing inspiration from the cult British film The Wicker Man for the runway show, the collection revisited the house’s iconic ultra–low-rise trousers, paired with sharp shirting and ruffled corsets. It was classic McQueen: rebellious, sensual, and slightly unhinged in the best way.

Victoria Beckham took cues from 90s nostalgia, referencing the ethereal innocence of films like The Virgin Suicides. Her sculptural ruffled necklines and wired hems brought a romantic edge, while her signature tailoring appeared even more oversized and statuesque than usual - a confident nod to the balance of strength and softness.

Zimmermann channelled the artists of Sydney’s Lavender Bay, infusing their runway with a psychedelic edge. Distorted florals, 70s-inspired jumpsuits, and flashes of rainbow tie-dye gave a sun-drenched, dreamlike quality.

Meanwhile, Chanel (under new creative direction from Matthieu Blazy) delivered a modern refresh of its timeless aesthetic. Drop waists, deconstructed skirt suits, and menswear pieces paired with fluid evening gowns struck a perfect balance between reverence and rebellion.

Stella McCartney continued her reign as the queen of sustainable style. Her collection featured plant-based feathers and recycled sequins woven through her signature oversized tailoring, patchwork denim, and asymmetric hems - proof that eco-conscious design can still dazzle.

Thom Browne brought theatrics to the runway this season. With models styled as aliens striding down the runway, the show was a spectacle of sharp blazers, pleated skirts, and intricately embroidered sheer tops - a blend of whimsy and precision that only Browne could pull off.

From soft romance to structured rebellion, this season’s collections proved that fashion’s greatest power lies in its ability to transform - always shifting, always reinventing, always looking ahead.